Mike's high-school graduation home button. years
years
1960s 1965
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1980s 1980
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2007: India
2008
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2009: India
2010s 2010
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2011: India
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2020s 2020
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videos 21st century
20th century
music
bollywood 101
hitch
collaborations
tunes hypnovista
ed davis band
what you want
desi desi desi
as we sow
4-track
why am i awake?
carolyn the carolyn story
killer instinct
X.K.I.
bad tuna experience
East Village
Before we met, over on Avenue C

Hardcore chic: Carolyn was clothed and posed by a photographer friend in front of one of the biker clubhouses in the East Village. The clubhouse by the precinct on 5th Street, the one housing the Hell's Angels, is the one people are still talking about. Comments always include "safest block in the neighborhood," true until you pissed somebody off when you stumbled over a bike, or maybe until you went with one of the guys, at which point you might get thrown off the roof.

On a pony in Colorado
On a pony in Colorado

She grew up in Kansas but spent a lot of time in Colorado. Her grandparents had a farm and later she went to church camp up in the Rockies. What process is at work to turn a little girl on a horse into a bartender at a dive like Downtown Beirut?

On her way to the junior prom

Just a few years later this high school kid was deep into the NYC hardcore scene. First there was Killer Instinct, then X.K.I., then The Bad Tuna Experience. Though we were playing the same clubs at the same time, we never met. That happened down on Henry Street sometime in '87. Byron was trying to make some money renting out a front room he sounpdroofed; the idea was to use it as a makeshift recording studio and/or rehearsal space. I was trying to be a freelance audio engineer so I showed up with my 4-track.

Unfortunately I added some slapback to the vocals and Carolyn didn't like it. It should have been unadorned and raw. We wanted to make them happy so we asked them to reconvene a few days later. I'm glad we did: first, we got a great recording of "Beer Picnic" out of the session, and second because the band hung out and drank forty-ounce beers with us after we finished. I liked Carolyn: she was smart and cute and had a great attitude. I started hanging out at Downtown Beirut, a place literally around the corner from me. We got to be friends.

East Village East Village East Village East Village East Village
Pic 1 and 2 Killer Instinct: L-R Kit, Jet, Carolyn, Bobby; Pic 3 X.K.I. at A7; Pic 4 X.K.I. publicity: clockwise from left, Kit, Carolyn, Merle, Bobby; Pic 5 Carolyn with Bad Tuna Experience
With a boy and a cat
With a boy and a cat, East Village
Behind the bar at Downtown Beirut
Best interior photo I've ever seen of Downtown Beirut, Carolyn behind the bar (photo from 1985 by Eff Norkinhardie)
With her dad Lee, the history prof
Back in KS with dad Leland, the history prof
Night ride in Mumbai, 2020
Night ride in Mumbai, 2019
Ann and Bob on the boardwalk, Coney Island

Bob and I had been hanging around since high school back in Columbus. Later he moved to Cincinnati and joined up with The Ed Davis Band; he was the bassist in the first lineup and the guitarist after Byron moved to NYC. He was involved in We're Just Like You activities as well, and was one of those who lived in the Fifth Street loft. Later he met Ann; they married, bought a beautiful old house, and had some kids. He was best man at my wedding in ’89.

Boardwalk, Coney Island
Cincinnati meets the old Coney Island subway station
Upskirt shot, Liberty Island
On Liberty Island
In her head, Liberty Island
In her head
The Battery

Mom and Dad enjoying the city way downtown. Dad would schedule several stops at the jazz clubs during every trip; we went to Fat Tuesday's, The Blue Note, Sweet Basil's, The Village Vanguard, even a stop at a small club up near Columbia to see Lee Konitz. One night at the Blue Note at a Carmen MacCrea show Tony Bennett asked to sit at our table. In the same club I saw Buddy Rich play a drum roll with his foot. My most vivid memories are of the Thad Jones-Mel Lewis band at the Vanguard and several Chris Connor shows at Sweet Basil's. She remains one of my favorite singers.

Later in the trip there was always a stop at Katz's or the Luna in Little Italy.

Luna Restaurant, Little Italy
The old Luna Restaurant, 110 Mulberry in Little Italy (photographer unknown)
Fran, me, and mom early 80s outside the Luna
Fran, me, and mom early 80s outside the Luna
Kims, RuPaul, Pyramid
An iconic shot that manages to squeeze in the original Kim's Cleaners, RuPaul, and the Pyramid Club (photo by Richard Renaldi)

Starting in 1987 I would rent VHS tapes at the first Kim's Video, 99 Avenue A between 6th and 7th Streets. It was just a counter in the back of Kim's Cleaners, a Korean dry cleaning shop. On the limited shelves were a bunch of clear plastic VHS containers, some of which had homemade covers since the originals were frequently stolen. I fondly remember the cover for Streisand's 1987 movie Nuts which had a felt-tipped caricature of her profile and the dynamic lettering Babs is Nuts! I always looked for that one when I rented.

The Pyramid is only local legend now but it was in its prime through most of the 80s. In 1984 the drag queens at the club started the Wigstock festival—an event that went on for years—in Tompkins Square Park, catty-corner across Avenue A. There's a couple of movies that document the festival. There's even a movie about Kim's Video, the little dry cleaner that became a downtown treasure chest for film cognoscenti. There were several stores; the last and final shop inhabited two stories on St. Marks Place. There was a standing rack inside dedicated soley to cinematographers; you didn't see that at Blockbuster.

Kims Cleaners
Early enough that the Pyramid was still open, late enough for Google Photos
The music I was into in '87, picturised on my JHS 60 kids. I even DJ'd a couple of school events with my box of 12” releases.

I was still listening to the 45s, but there was definitely a shift to the 12" single format as rap classics like South Bronx, I know You Got Soul, and The Godfather hit the streets. I really liked disco, too, and thought of Steppin' Out and Native New Yorker as taxi driver tunes; since that phase was now permanently over they made me kinda emotional. Some of the tracks I'd been listening to for years, like Did You See Her Eyes, Baby Come Back, Call Me by Aretha, and Son of a Preacher Man by Dusty. Most of the rest were new singles like Never Knew Love Like This Before and Don't Dream It's Over, a couple of instant classics. I apologize for Woman In Love but, hey, I'd been a Bee Gees fan since I saw them at the Ohio State Fair circa 1967.

Don't Fear the Reaper [LP version]: Blue Öyster Cult
The Hustle: Van McCoy & The Soul City Symphony
Baby Come Back: The Equals
South Bronx [from the LP Criminal Minded]: Boogie Down Productions
Steppin' Out: Joe Jackson
Native New Yorker: Odyssey
I'm Bad: L.L. Cool J.
Point of No Return: Expose
Did You See Her Eyes: The Illusion
Son of a Preacher Man: Dusty Springfield
Evil Woman: Electric Light Orchestra
I Know You Got Soul: Eric B. and Rakim
Blood and Roses: The Smithereens
Roxanne, Roxanne [12"]: UTFO
Don't Dream It's Over: Crowded House
Blue Velvet [from the soundtrack LP Blue Velvet]: The Moonglows
Woman In Love: Barbra Streisand
Roxanne's On a Roll [12"]: The Real Roxanne
In a Lonely Place: The Smithereens
Harvest For the World: The Isley Brothers
Call Me: Aretha Franklin
The Godfather [12"]: Spoonie Gee
Rock in the U.S.A.: John Cougar Mellencamp
La La Means I Love You: The Delfonics
I Need Love: L.L. Cool J.
Since I Don't Have You: The Skyliners
Never Knew Love Like This Before: Stephanie Mills